PHOTOGRAPHY


JOELLE SORAYA BATISTA ISELI


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The Exhibition



IB VISUAL ARTS EXHIBITION 2016



Curational Rationale



The intent of my body of works is to take the audience on an expedition beyond our globalized first world society. I want to open a doorway to showcase the forgotten voices and give them a chance to speak out for themselves. The works presented are original inspired creations of photographs, watercolor pencil and pencil drawings. I have taken whilst traveling around the world from a small festival in Spain, to the hectic city of Zurich in Switzerland, to the Karen hill-tribes of Northern Thailand in the province of Mae Hong Son.


I want the audience to be transported into this world of harmony amongst humanity and showcase the different lifestyles of each culture from the societies’ minorities to those of the first world. From the small festival in Spain to the hectic city of Zurich to the rural homes of the hill tribes in Northern Thailand – all demonstrating the human qualities we all possess as we carry on with our daily routines, all demonstrating how their cultural heritage has shaped them into the society they have become a part of today.


Moros y Cristianos celebrated mainly in the southern Valencian Community commemorating the battles, combats, and fights between the Moors (Muslims) and Christians during a period known as Reconquista (8th - 15th century). The festival showcases the capture of the city by the Moors and the subsequent Christian reconquest. The festival usually lasts for several days featuring parades with pompous costumes loosely inspired by medieval fashion portrayed through my photographs and watercolor pencil piece.


Zurich, my birthplace and one the most famous cities of the world, was an eye opener to the vast amount of different individuals that could exist within a single community. There were so many different kinds of ethnicities to the extent it became overwhelming. I had the opportunity to candidly photograph some very interesting looking individuals and showcase the disconnection of a first world society through intentional sketch like drawings to let imagination take over as it envisions a short film.


Hill tribes are often overlooked in our society as minorities, when they are truly the ones who have kept tradition alive for all these centuries, making them wiser than the rest of us. They have maintained their traditional ways of life for generations. I wanted to grasp this concept by capturing and portraying the people of the Karen hill-tribes of Northern Thailand in their natural state of mind along with their customs and traditions that still remain a major part of their daily life. Each individual in that village had unique characteristics about them along with ages ranging from newborns to the elderly and wise that intrigued me greatly. It was as though they each told a different story, but as a whole remained similar within their community. I had a grand opportunity to photograph these individuals and live amongst them for a week. Taking the photographs whilst being involved in activities was challenging, as I always had to keep an eye open and looking for perfect opportunities. I call these “in the moment” photographs - unique, candid, and all around natural - not directed positions like they would in a studio.


The intent of the layout of my exhibition is so that the audience can view my works from any angle permitting the eyes to scan around the space and absorb the concept of a variety of cultures. I arranged the exhibit in a manner that there is a balance between youth and elders along with cultural ethnicities supporting my theme of Cultural Identity. Each work showcases the current stage of life that the individual is at and depicts the extent to which they have been exposed to their surroundings and culture. The beauty within our world lies within those who have experienced it first hand, seen, and felt the most.


These photographs are mere glimpses of the hidden wonders of the world. As Christopher Columbus once said “You can never cross the ocean unless you have the courage to lose sight of the shore.”


- Joelle Soraya Batista Iseli



Layout





ARTWORKS









HERITAGE



(November 2015)
Photograph
29.7 x 42.0 cm



This series is meant to showcase how strong heritage can influence a culture over hundreds of years. Heritage takes the form of a festival in the southern Valencian Community, where popular tradition the festivals commemorate the battles, combats and fights between Moors (or Muslims) and Christians during the period known as Reconquista (8th century through the 15th century). Cultural traditions are so important for they transmit shared values, stories and goals from one generation to the next.





THE CRAFTSMAN



(February 2015)
Photograph
42.0 x 59.4 cm



This man intrigued me when I came across his presence in Mae Hong Son. A joyful and open minded soul with a captivating face that told a story. From his clothing to the wrinkles on his skin, to the turban on his head - they highlight and portray his craftsmanship abilities as he weaves the light bamboo pieces together into one single frame enhancing his uniqueness and speciality of abilities. Although now an elder, his young spirit still remains.





INSTALLATION PIECE PROCESS



Installation Piece
Photograph printed on printing paper
200 x 300 cm



Medium: Paper prints + Homemade wheatpaste

Installation piece inspired by JR.

Process: 13+ hours.


FOR MORE DETAILS ON THE PROCESS CLICK HERE



THE CHILD



(February 2015)
Photograph
42.0 x 59.4 cm



Each child around the same age has a mesmerizing charm about him or her. Each curious in it's own ways, seeks to understand this wretched society we live in today. Through the eyes of a child one can see mainly good, but eyes at times can be deceiving and twist our minds. One must remember that even though children are unable to express themselves fully in words as we adults do, they have their own language in which they learn and develop from us. They watch us with every move that we make they may follow, therefore the moral of the story is to seek out the best in us and set good examples for the future generations of our nation.





MOTHER & CHILD



(February 2015)
Photograph
42.0 x 59.4 cm



Elegance, beauty, and grace found in the simple things we do in our daily lives. Portrayed through a mother and child, the composition tells us a story. The baby looking away manifests the safety, security, and trust implemented in the mother by the clutch of his small hand as she enables to feed herself, getting on with her daily chores. The inseparable connection between the two comes together in unison and harmony as one created by strong contrast and movement.





REALISATION



(February 2015)
Photograph
42.0 x 59.4 cm



An elderly wise old woman, neither scared nor sad, in the midst of realization reflecting upon the juxtaposition of the youth of her generation and of ours today. Looking closer into her eyes, one can see that her youth still runs strongly throughout her veins. A blank facial expression that tells a thousand tales. No happiness, no sadness, just wonder as she looked at me when I took her photograph.





INSTALLATION PIECE



Photograph printed on printing paper
200 x 300 cm



"Introduced as a new member to our community."


FOR MORE DETAILS ON THE PROCESS CLICK HERE





HIATUS



Series (November 2015)
Photopgraph
29.7 x 42.0 cm



Hiatus, a noun meaning a pause or break in continuity, in a sequence or activity. For this series, I wanted to portray the simplistic lifestyle and conditions of the villagers living in the hill tribes of Northern Thailand. I wanted to showcase their daily routines to contrast and reflect our own routines. To think of "first world problems", when others living in third world countries live on just the basic supplements that life has to offer them.









UNSOCIAL



Series (November 2015)
Mechanical pencil on paper
14.8 x 21.0 cm



Portraying the separation between the communication of mankind in which each individual seems as though they were living in their own world. First world countries like Switzerland, have a tendency to forget what it means to be present in a moment without having social media being a part of it. We live in a plastic world in which we have hundreds of friends on social media but when it comes to the real world, we become faceless lonely skeletons walking the path of the same ideologies and principles as everyone else, not realizing that there is something wrong,





LAUGHTER & SMILES



(September/November 2015)
Pencil on drawing paper
21.0 x 30.0 cm



Innocence and the purity of an underprivileged child's laughter brings joy and warmth to those who have succumbed their existence. Their glee reminds and teaches us to be happy with what we have and see how wonderful life actually is. The smile is a universal language recognized all over the world, throughout all cultures, as it opens people's heart and forgoes prejudices, fear and judgement as it allows for a personal approach to an otherwise overwhelming loaded topic.


Profound gratitude goes towards Taman Megah's Handicapped & Disabled Children's Home in Kuala Lumpur I volunteered at over the summer of 2015.





MERGING CULTURES



(March 2015)
Watercolor pencil on watercolor paper
29.7 x 42.0 cm



Showing two juxtaposed cultures while still maintaining their strong cultural roots and heritage. Clashing as two women one still in her very early youth all glammed up with jewelry and expensive fabrics while the other much older still carries old rags and is hard working. This shows the contradiction in their cultural heritage as the hill tribe of Northern Thailand remained unconquered by settlers for generations and the small town of Javea once conquered by Islam adapted to their customs.






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